Who I'm working with who Im working with, storyboard and shooting script
For this task I will be working with James Hollins. The reason I have decided to work in partnership with James is because I believe that we will be able to co-operate well and resolve any disagreements in a professional way. Furthermore, I have had past experience of woking on a similar task to this with him and not only did we work well together, but we were also able to create a successful product which we received a very high mark for. I look forward to working with James in the upcoming weeks in order to create the best product we possibly can.
Shot
No.
|
Description
|
Sound
|
Length
|
1
|
Tracking mid shot
of the lower body of the protagonist walking down the corridor.
|
Non-diegetic
soundtrack and diegetic sound of footsteps.
|
2 seconds
|
2
|
Mid shot from the
side showing protagonist walking past for a split second
|
Non-diegetic
soundtrack and diegetic sound of footsteps.
|
0.5 seconds
|
3
|
Close up of the feet of the protagonist walking.
|
Non-diegetic soundtrack and diegetic sound
of footsteps.
|
1 second
|
4
|
OTS shot of the protagonist walking down
corridor.
|
Non-diegetic
soundtrack and diegetic sound of footsteps.
|
1-2 second
|
5
|
Close-up of his arm reaching for the door.
|
Non-diegetic
soundtrack.
|
1-2 second
|
6
|
High angle of him walking through the door.
|
Silence
|
0.5 seconds
|
7
|
Eye line match
leads to protagonist looking at antagonist sitting down on a chair in that
room. This would be a mid shot.
|
Silence
|
1 second
|
8
|
Mid shot of antagonist as he says the dialogue.
|
Silence
|
2 seconds
|
9
|
Long shot of both men with the protagonist
walking closer to the antagonist.
|
Silence
|
1 second
|
10
|
Over the shoulder
shot of the protagonist walking closer to the antagonist.
|
Silence
|
1 second
|
11
|
Close up of antagonist to show his facial
expression before he says his final words.
|
Silence
|
1 second
|
12
|
Extreme close up of the antagonist’s mouth
as he says “depends where’s my money”
|
Silence
|
1 second
|


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